{"id":30596,"date":"2022-12-07T10:45:11","date_gmt":"2022-12-07T09:45:11","guid":{"rendered":"https:\/\/dev.targetpoint.it\/blog-en\/detroit-chair-balanced-between-contemporary-and-vintage\/"},"modified":"2024-04-10T11:41:28","modified_gmt":"2024-04-10T09:41:28","slug":"detroit-chair-balanced-between-contemporary-and-vintage","status":"publish","type":"post","link":"https:\/\/targetpoint.it\/en\/detroit-chair-balanced-between-contemporary-and-vintage\/","title":{"rendered":"DETROIT chair, balanced between contemporary and vintage"},"content":{"rendered":"

“A chair is a very difficult object. A skyscraper is almost simpler.” This is how German architect Mies van der Rohe described his work in designing his iconic chair in a Time article in February 1957.<\/p>\n

Designing a chair, in fact, is always a challenge between aesthetics, design, usability and experimentation. Our designers are well aware of this, and when they designed the DETROIT chair<\/a><\/strong>, they paid close attention to the aesthetics while always taking into account practicality and comfort, so as not to limit the livability of the rooms.<\/p>\n

The name is that of the “Motor City,” the capital of the U.S. automobile industry, and its design recalls industrial atmospheres for an urban mood with retro overtones.<\/p>\n

The vintage soft-touch upholstery that covers the seat and frame of the DETROIT chair together with its shape, given by the superimposition of squared geometric elements, are able to create a complex interplay of contemporary and vintage balances.<\/p>\n

All the charm of modern metropolises in the dining room, in the colors Ice, Graphite, Tobacco or Turtledove.<\/p>\n

Target Point, Italian Ideas<\/p>\n